![<b>Eternal Rhythm (24" x 36")</b><br>With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.](http://harmetzsculptures.com/wp-content/uploads/2018/03/IMG_2459-683x1024.jpg)
Eternal Rhythm (24" x 36")
With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.
With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.
![<b>Eternal Rhythm (24" x 36")</b><br>With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.](http://harmetzsculptures.com/wp-content/uploads/2018/03/IMG_2454FINAL-593x1024.jpg)
Eternal Rhythm (24" x 36")
With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.
With a salute to the impressionistic master Claude Monet and his 30 paintings of the Cathedral at Rouen, I follow. Can you portray the ocean shore, in bronze, at six-hour intervals beginning at sunrise showing the changes in light, tide, and wind? And can it be done without paint? Only the deep blue on two of the pieces is pigment. All the other colors are created using chemical patinas.
©2018 Richard Harmetz